A City Displaced

In order for the iron ore deposits under the city to be mined, the city is being com­plete­ly relo­cat­ed. Some build­ings are mov­ing with it. Oth­ers will be demol­ished. Places of mem­o­ry will dis­ap­pear as the mine moves. All this will take time. The mas­ter plan pro­vides for about 20 years. There­fore, there will be two cities for a long time. Much is unclear. For exam­ple, whether the new hous­es will be afford­able or whether the city will have to migrate again in the future, because the seam of the ore deposit extends to beneath the new city. © Klaus Thymann

The small town of Kiruna in Swe­den, with a pop­u­la­tion of almost 18,000, is to be moved. The rea­son for this is a mag­netite ore mine. The city could col­lapse if the earth is hol­lowed out. Plans have been devel­oped to part­ly demol­ish and part­ly rebuild the hous­es at a loca­tion about three kilo­me­ters away. This unusu­al move should be com­plet­ed by 2033. Many, includ­ing the city admin­is­tra­tion, see a town devel­oped on the draw­ing board as a poten­tial new begin­ning. How­ev­er, not every­one seems hap­py about the plans, which are close­ly linked to the company’s eco­nom­ic devel­op­ment. What would hap­pen, for exam­ple, if the glob­al mar­ket price for mag­netite ore fell and the relo­ca­tion of Kiruna, which has already begun, could not be ful­ly implemented?


Project

Kiruna Mas­ter­plan


Actors

White Arkitek­ter, Ghi­lar­di + Hell­sten Arkitek­ter, archi­tec­ture office; Luos­savaara-Kiirunavaara Aktiebo­lag (LKAB), Kiruna Kom­mun, Tekniska verken i Kiruna, Kirun­a­bostäder, co-financ­ing and orga­ni­za­tion of the relo­ca­tion; Kiruna Kom­mun, commission


Year

Since 2013


Loca­tion

Kiruna, Swe­den

White Archi­tects in col­lab­o­ra­tion with Ghilardi+Hellsten Arkitek­ter won the inter­na­tion­al com­pe­ti­tion for a 20-year mas­ter plan for the grad­ual relo­ca­tion of Kiruna five kilo­me­ters to the east by 2033. The images show aer­i­al views of Kiruna in 2033 and 2100. White Archi­tects and Ghilardi+Hellsten chal­lenged the orig­i­nal brief and ini­ti­at­ed a 100-year per­spec­tive for the mas­ter plan with the goal of cre­at­ing a sus­tain­able mod­el city with a diverse econ­o­my that is less depen­dent on glob­al demand for iron ore. © Ghilardi+Hellsten Arkitek­ter and White Arkitekter
© Ghilardi+Hellsten Arkitek­ter and White Arkitekter

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City in Transition

© Ste­fan Marx

The Wek­er­le estate in the south­east of Budapest has been part of the world­wide Tran­si­tion Town Net­work for sev­er­al years, which address­es the glob­al chal­lenges of the cli­mate emer­gency and devel­ops prac­tices for local pro­duc­tion as well as re-use. Alter­na­tive ener­gy con­cepts are devel­oped, food sov­er­eign­ty is cre­at­ed, sus­tain­able con­struc­tion and emis­sion-free mobil­i­ty are pro­mot­ed. In Wek­er­le, par­tic­u­lar empha­sis is placed on com­mu­ni­ty-sup­port­ed agri­cul­ture, organ­ic hor­ti­cul­ture is pro­mot­ed through cours­es, seeds of local veg­etable vari­eties are trad­ed on exchange plat­forms, and com­post is sys­tem­at­i­cal­ly col­lect­ed. The local gov­ern­ment has rec­og­nized this approach’s poten­tial and sup­ports it—despite some resistance—with mate­r­i­al and finan­cial resources. And so, a com­mu­ni­ty house has been built, a com­mu­ni­ty gar­den laid out, and the mar­ket place redesigned.


Project

Áta­lakuló Wekerle


Con­trib­u­tors

Áta­lakuló Wek­er­le szervezöi kör, munic­i­pal­i­ty, numer­ous local ini­tia­tives as well as the Hun­gar­i­an Tran­si­tion Town Ini­tia­tive and the inter­na­tion­al Tran­si­tion Towns Network


Year

Since 2009


Loca­tion

Budapest, Hun­gary

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Technical Assistance for an Informal Settlement

The work with the neigh­bor­hood of Ter­ras da Cos­ta is not an iso­lat­ed case for ate­lier­mob. For a long time now, the office has been work­ing on sim­i­lar neigh­bor­hoods, advo­cat­ing bet­ter equipped, legal hous­ing for peo­ple in infor­mal set­tle­ments and pro­vid­ing tech­ni­cal assis­tance. The archi­tects see this work as an exten­sion of the archi­tec­tur­al pro­fes­sion, which so often only cares about for­mal and aes­thet­ic mat­ters, but com­plete­ly ignores social and eco­nom­ic rela­tion­ships. © Fer­nan­do Guerra

South of Lis­bon, in the hin­ter­land of hotels and apart­ment com­plex­es, is the not yet legal­ized Ter­ras da Cos­ta quar­ter. In 2012, the idea of set­ting up a com­mu­nal kitchen was born in the neigh­bor­hood. Their pro­pos­al was tied to hopes that author­i­ties would agree to install a water sup­ply and there­by start the legal­iza­tion process of the set­tle­ment. The archi­tec­tur­al office ate­lier­mob and many oth­er groups, ini­tia­tives, and indi­vid­u­als sup­port­ed this ambi­tion in var­i­ous ways. Some con­tributed their work direct­ly, oth­ers posi­tioned them­selves in sol­i­dar­i­ty, and foun­da­tions fund­ed the project. After about two years, water final­ly flowed to Ter­ras da Cos­ta. But many oth­er aspects remained unre­solved or have not been decid­ed polit­i­cal­ly, so that set­tle­ments in sim­i­lar sit­u­a­tions have to con­tin­ue the fight for their rights to the city.


Project

Coz­in­ha Comunitária das Ter­ras da Cos­ta (Com­mu­ni­ty Kitchen of Ter­ras Da Costa)


Actors

ate­lier­mob and Colec­ti­vo Ware­house, archi­tects; res­i­dents of Ter­ras da Cos­ta, con­struct­Lab, support


Year

2014


Loca­tion

Ter­ras da Cos­ta, Lis­bon, Portugal

The infor­mal set­tle­ment of Ter­ras da Cos­ta south of Lis­bon. © Fer­nan­do Guerra
The legal­iza­tion of the set­tle­ment was nev­er at issue. Instead, the neighborhood’s coop­er­a­tion with the archi­tec­tur­al bureau has result­ed in the pri­or­i­ti­za­tion of a water con­nec­tion that is polit­i­cal­ly fea­si­ble. © Fer­nan­do Guerra
The water sup­ply runs through the kitchen and serves hygiene and san­i­tary func­tions. © Fer­nan­do Guerra
© Fer­nan­do Guerra

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Work Yard for Construction Materials

The work yard set up by Bel­la­s­tock is simul­ta­ne­ous­ly a ware­house, recy­cling work­shop, gar­den and stage for pro­to­types made from build­ing rub­ble. © Bellastock

Why is the cur­rent mantra in the con­struc­tion indus­try build, build, build—when reuse, recy­cling, or oth­er forms of respon­si­ble use of resources should be the focus of atten­tion? The inter­dis­ci­pli­nary col­lec­tive Bel­la­s­tock address­es this and oth­er major prob­lems in the con­struc­tion indus­try. La Fab­rique du Clos in Stains, a small town in the north-east of Paris, was used to store mate­ri­als from the demo­li­tion of res­i­den­tial tow­ers. Yet the yard also became a meet­ing place and stage for the neighborhood’s res­i­dents. There were dis­cus­sions: about future urban spaces, how and by whom and with what they will be designed. These activ­i­ties result­ed in pro­to­types for sheds, plant­i­ng beds, arbors, street pave­ment, play­ground equip­ment, bench­es, pavil­ions, and much more. They show how small-scale alter­na­tives can chal­lenge estab­lished systems.


Project

La Fab­rique du Clos


Actors

Bel­la­s­tock, archi­tects, Cen­tre Sci­en­ti­Wique et Tech­nique du Bâtiment (CSTB), L’Amicale des Locataire, Closerie du Lézard, Léonard Nguyen, Mael Canal, Fred Kei, Cheb Chantier, Clé­ment Guil­laume, Régie de Quarti­er de Stains, Cen­tre de Loisirs Romain Rol­land, Sauve­g­arde 93


Year

2015—2018


Loca­tion

Clos Saint-Lazare, Stains, France

Con­crete walls are cut to the required sizes. © Alex­is Leclercq
A gar­den bed with walls of con­crete blocks in tra­di­tion­al dry con­struc­tion. © Clé­ment Guillaume
The decon­struc­tion of build­ings usu­al­ly hap­pens by the down­right smash­ing of the built struc­ture. Here in Stains, parts have been ›saved‹ to demon­strate that many mate­ri­als that would oth­er­wise sim­ply end up on rub­ble heaps could have a sec­ond life. © Bellastock

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Participation in City Design

More than 400 peo­ple assem­bled at a self orga­nized meet­ing in FC St. Pauli’s ball­room in Ham­burg in Feb­ru­ary 2014. The rea­son for the unusu­al gath­er­ing were dra­mat­ic changes in St. Pauli. The neigh­bor­hood called for a »bot­tom up-orga­nized, demo­c­ra­t­ic plan­ning process.« With the expe­ri­ence and the mobi­liza­tion pow­er of the broad Right-to-the-city-move­ment back­ing them, the inter­dis­ci­pli­nary plan­ning office Plan­bude is found­ed to devel­op a new land use plan for the city. Wish pro­duc­tion starts in late sum­mer. Planbude’s claim: »Knack’ den St. Pauli Code!« (Crack the St. Pauli code!) becomes the leit­mo­tif for a process that builds on mul­ti­lin­gual­ism in expres­sion and mak­ing. The results of the process are cap­tured in a con­tract and become the foun­da­tion for a plan­ning com­pe­ti­tion. Local knowl­edge builds the basis for the rein­ven­tion of the city.


Project

Plan­Bude / Crack the St. Pauli Code


Actors

Mar­git Czen­ki, Christoph Schäfer, Renée Trib­ble, Lisa Marie Zan­der, Christi­na Röthig, until 2018, Patri­cia Wedler, until 2017, Volk­er Kattha­gen, until 2016, neigh­bor­hood ini­tia­tives and residents


Year

Since 2014


Loca­tion

Ham­burg, Germany

The Esso Hous­es at Spiel­bu­den­platz in Hamburg’s St. Pauli dis­trict were built in the late 1950s and were con­sid­ered at risk of col­lapse in the ear­ly 2010s. They were demol­ished in 2014—under great protest. Doris Antony (CC BY-SA 4.0)
Plan­bude orga­nizes civ­il soci­ety resis­tance to the plans of the Ham­burg Sen­ate for the site, which has now been vacat­ed. The Plan­bude will be set up on site to absorb and artic­u­late the wish­es of the city soci­ety for the quar­ter. © Mar­git Czenki
Plan­bude func­tions as a meet­ing place, a cen­ter for research, a neigh­bor­hood library, exhi­bi­tion space and dis­cus­sion plat­form. It is not only a place from which wish­es are col­lect­ed, but also where con­crete demands for the new plan­ning at Spiel­bu­den­platz are set up. © Frank Egel Photography
The Dutch archi­tec­tur­al office NL-Archi­tects and BEL-Archi­tects from Cologne won the com­pe­ti­tion Spiel­bu­den­platz with a coura­geous design. © Bay­erische Hausbau

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A Sign for Europe

EUROPA at the König Galerie in the for­mer St. Agnes Church in Berlin (2016). © Rubén Dario Kleimeer

The work EUROPA was cre­at­ed in the after­math of Britain’s ref­er­en­dum for with­draw­al from the Euro­pean Union. Europe, accord­ing to the archi­tec­ture and plan­ning office more­Platz, lacks vis­i­bil­i­ty, pub­lic pres­ence, and pos­i­tive feed­back. The huge lumi­nous tubes, which have been on dis­play in Berlin and many oth­er loca­tions across Ger­many and abroad since their first instal­la­tion in Novem­ber 2016, were con­cep­tu­al­ized to address this artic­u­lat­ed lack. But this notion of Europe that these let­ters and this light fix­ture are meant to rep­re­sent is also viewed crit­i­cal­ly by many for Europe’s exter­nal bor­ders are being increas­ing­ly sealed off and defend­ed. The promise of an open and sol­idary Europe remains for many an unat­tain­able goal. Radi­ant EUROPA does not shine equal­ly for everyone.


Pro­jekt

Europa


Con­trib­u­tors

more­Platz, co-ini­tia­tors, design; Johann and Lena König, co-financ­ing; St. Agnes Immo­bilien- und Ver­wal­tungs­ge­sellschaft mbH; Deutsches Architek­tur Zen­trum, sup­port; thir­ty-three indi­vid­u­als and archi­tec­ture and cul­ture offices, co-financing


Year

Since 2016


Loca­tions

Var­i­ous

EUROPA at the Bille pow­er plant in Ham­burg (2017). © Hein­rich Holtgreve

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A Small Town’s Dialogue with Civil Society

Stadt­men­sch should empow­er peo­ple to take the ini­tia­tive and imple­ment their own project ideas. Var­i­ous instru­ments have been devel­oped for this pur­pose: There is the Stadt­men­sch Acad­e­my and Think Tank, which offers exchange, advice and edu­ca­tion­al oppor­tu­ni­ties on top­ics such as con­cept devel­op­ment, project man­age­ment and pub­lic rela­tions to help peo­ple set up their own busi­ness­es. The Stadt­men­sch-Fonds sup­ports ini­tia­tives. © Jens Paul Taubert

The small town of Altenburg in Thuringia is shrink­ing. Since the 1980s, the pop­u­la­tion has declined by over 40%. Numer­ous indi­vid­u­als and ini­tia­tives have there­fore been active for sev­er­al years. They want to coun­ter­act the down­beat atmos­phere. The coop­er­a­tion of var­i­ous ini­tia­tives, sup­port asso­ci­a­tions, and cul­tur­al institutions—Stadtmensch—is sup­port­ed by a pro­gram under the Nation­al Urban Devel­op­ment Pol­i­cy and work­ing on pur­pose­ful­ly expand­ing exist­ing mod­els for the co-pro­duced city. In con­crete terms, the aim is for civ­il soci­ety to assume respon­si­bil­i­ty for pub­lic indoor and out­door spaces. Calls for ideas bring forth projects, the imple­men­ta­tion and pro­mo­tion of which are decid­ed upon by locals through var­i­ous pro­ce­dures. An impor­tant cri­te­ri­on: the projects should serve the com­mon good.

Link to Audio guide


Project

Stadt­men­sch


Con­trib­u­tors

Erlebe was geht gGmbH, respon­si­ble body; Fed­er­al Min­istry of the Inte­ri­or, Build­ing and Com­mu­ni­ty, co-financing


Year

Since 2018


Loca­tion

Altenburg, Ger­many

How best to dis­trib­ute fund­ing? »Stadt­men­sch« try a vari­ety of meth­ods. Some­times darts are thrown on a city map, some­times projects wor­thy of sup­port are select­ed through a mul­ti-stage process. © Stadtmensch
Var­i­ous actions in pub­lic space are intend­ed to encour­age more peo­ple to get involved and revi­tal­ize pre­vi­ous­ly unused places in the city. Here: the audi­ence of a radio play instal­la­tion in the con­text of the sec­ond Mit­Mach­Markt. In addi­tion to the Mit­Mach­Markt, there is the Stadt­men­sch-Fes­ti­val, a bazaar on Altenburg’s his­toric mar­ket square, where the numer­ous ini­tia­tives from the fields of art and pol­i­tics, sports and the envi­ron­ment, social affairs and cul­ture can meet and exchange ideas. © Anja Fehre

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A Model Project for Refugee Integration

The pho­tog­ra­ph­er and author Nico­la Zolin doc­u­ment­ed the rise and fall of the city of Riace and its for­mer may­or, who wel­comed refugees with open arms, cre­at­ing a spe­cial kind of utopia. The fol­low­ing images are tak­en from Zolin’s 2018 pho­to series »The World is a Small Town«. The Mari­na of Riace on the south­east coast of Italy, where a boat with sev­er­al hun­dred Kurds strand­ed in 1998. © Nico­la Zolin

For­mer may­or Domeni­co »Mim­mo« Lucano of the south­ern Ital­ian munic­i­pal­i­ty of Riace was co-founder of the asso­ci­a­tion Cit­tà Futura—City of the Future. In col­lab­o­ra­tion with aid orga­ni­za­tions, he took in refugees from Afghanistan, Iraq, Eritrea, Pales­tine, and Lebanon. With this came state sub­si­dies that were then also invest­ed in the village’s infra­struc­ture, which—many today believe—would like­ly have died out with­out the new res­i­dents. And so, togeth­er with the locals, aban­doned hous­es were repaired. The new­com­ers were also intro­duced to local tra­di­tions of glass mak­ing, ceram­ics, and embroi­dery. But from the begin­ning, there was resis­tance to what was seen as an idio­syn­crat­ic approach, which final­ly led to the project’s col­lapse a few years ago. Lucano was accused of mal­prac­tice, abuse of his posi­tion, and had to leave Riace. In the mean­time, how­ev­er, he’s back forg­ing new plans.


Project

Riace Cit­tà Futu­ra / Asso­ci­azione Cit­tà Futura—Giuseppe Puglisi


Con­trib­u­tors

Domeni­co Lucano, for­mer may­or of Riace; res­i­dents of Riace, refugees, Ser­vice of Pro­tec­tion for Refugees and Asy­lum Seek­ers (SPRAR), co-Winanc­ing; Cit­tà Futura—Giuseppe Puglisi, asso­ci­a­tion; Nico­la Zolin, photographer


Year

Since 1999, year of foundation


Loca­tion

Riace, Italy

A view of Riace Sopra, a place from which peo­ple had moved away for decades to find work in the north of the coun­try or North­ern Europe. The fate of the vil­lage changes with the fugi­tives that the for­mer may­or Domeni­co Lucano has placed in the emp­ty hous­es of the vil­lage. Ini­tia­tives are estab­lished with res­i­dents so that those who want to stay can set­tle down. © Nico­la Zolin
The for­mer teacher Domeni­co Lucano became may­or of Riace in 2004 and is estab­lish­ing a cul­ture of welcome—a cel­e­brat­ed inte­gra­tion and devel­op­ment project. Togeth­er with local res­i­dents, he found­ed the coop­er­a­tive »Cit­tà Futura«—City of the Future, in order to take a stand against the eco­nom­ic exploita­tion and social exclu­sion of refugees, while at the same time attract­ing more tourists to the region. © Nico­la Zolin
It is said that over the years more than 6,000 refugees from about 20 nations have come through Riace. Only a few stayed, many want­ed or had to move on. The sign that stood at the entrance of the town dur­ing the reign of Domeni­co Lucano is an expres­sion of this diver­si­ty. © Nico­la Zolin
6,000 peo­ple protest against the arrest of Domeni­co Lucano. © Nico­la Zolin

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From Wasteland to Neighborhood Local

The so-called Farm­House is con­sid­ered the heart of Par­ck­farm. The sec­ond-hand green­house was moved from the Nether­lands to Brus­sels. Today, it serves as a place for meet­ings, cook­ing, and eat­ing. One of the ini­tia­tors was the design office 1010 Archi­tec­ture Urban­ism, which man­aged the par­tic­i­pa­to­ry build­ing process in coop­er­a­tion with the JES and Yota! orga­ni­za­tions. © Rossel & Cie — Bruno D’Alimonte

In the north of Brus­sels, sur­round­ed by streets and yet almost hard to find, a small par­adise has emerged. In 2013, a diverse team put an idea into prac­tice: they com­bined the spe­cial and unique fea­tures of a park with urban agri­cul­ture and micro-farm­ing. Involved were local ini­tia­tives and groups that had been using the fringes of the fal­low land for some time for the col­lec­tive cul­ti­va­tion of fruit and veg­eta­bles, small ani­mal hus­bandry, and pigeon­ries. The result­ing location—Parckfarm—still brings the neigh­bor­hood togeth­er today. Dif­fer­ent actors orga­nize var­i­ous activ­i­ties, work­shops, gar­den­ing, and debates. How­ev­er, a land use plan for the area is now in place. Neigh­bor­hood asso­ci­a­tions and ini­tia­tives see access to and use of the park as threatened.


Project

Par­ck­farm


Actors

Par­ck­farm T&T asbl, asso­ci­a­tion and coor­di­na­tion; res­i­dents of the neigh­bor­hoods, ini­tia­tives and col­lab­o­ra­tion; Alive Archi­tec­ture and Tak­tyk, cocu­ra­tion; IBGE — Insti­tut Brux­el­lois pour la Ges­tion de l’Environnement, com­mis­sion and co Winancing


Year

Since 2014, open­ing at the Par­ck­de­sign Biennale


Loca­tion

Brus­sels, Belgium

Par­ck­farm was ini­tial­ly planned for only five months, but thanks to the ini­tia­tive of numer­ous res­i­dents and oth­er sup­port­ers, it still exists six years lat­er. © Par­ck­farm T&T
Peo­ple from the neigh­bor­hood come togeth­er on-site to grow fruit and veg­eta­bles. Bees, chick­ens, ducks, and sheep are also kept. © Par­ck­farm T&T
The col­or­ful bee-cars or bee-wag­ons, which can be pulled by a bicy­cle, were devel­oped by the Roy­al Bee­keep­ing Soci­ety of Brus­sels and Sur­round­ings (SRABE). Bee­keep­ers like Mok­tar pro­duce and sell their hon­ey here. Vis­i­tors can tour the bee colonies and learn more about the crit­i­cal role these insects play in our liv­ing envi­ron­ment. © Dieter Telemans

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