Like a Fox in the City

Greenfort’s paint­ings tell sto­ries of the fox: how it creeps through the city, across waste­lands and through back­yards. He looks cau­tious, but also sovereign—because the prox­im­i­ty between fox (or oth­er wild ani­mals) and humans has long been no longer a pecu­liar­i­ty, even in dense­ly built-up and inhab­it­ed cities. But the pho­tog­ra­ph­er does not only make the fox and its con­tem­po­rary habi­tats vis­i­ble with his works. Green­fort also illu­mi­nates larg­er ques­tions of ecol­o­gy, of the con­nec­tions between eco­nom­ic, social and cul­tur­al phe­nom­e­na. And so the images of the fox in the city speak not only of coex­is­tence, but also of an adap­ta­tion of the fox’s habi­tat, made nec­es­sary by the destruc­tion of or dis­place­ment from oth­er habi­tats due to mas­sive human inter­ven­tion. Tue Green­fort, Daim­ler­straße 38, Pho­to on alu­mini­um, 40×59 cm, 2001, Edi­tion 5 + 1 AP © Tue Green­fort and KÖNIG Galerie Berlin, Lon­don, Tokyo

An increas­ing num­ber of wild ani­mals are liv­ing in our cities. The diver­si­ty of species in urban agglom­er­a­tions is even greater than in the areas sur­round­ing them. The pho­to­graph­ic series by artist Tue Green­fort pro­pels this coex­is­tence of human and fox into plain sight. He points out that the abun­dant and grow­ing diver­si­ty of ani­mal life in cities con­fronts us with new challenges—because not every­one is hap­py about this cohab­i­ta­tion. As a result, plan­ning faces sig­nif­i­cant chal­lenges. It must not only take increas­ing and more com­pre­hen­sive care of the diverse needs and desires of dif­fer­ent peo­ple but also those crea­tures with no voic­es of their own in urban devel­op­ment processes.


Project

Daim­ler­straße 38


Artist

Tue Green­fort


Year

2001


Loca­tion

Frank­furt, Germany

© Tue Green­fort and KÖNIG Galerie Berlin, Lon­don, Tokyo
© Tue Green­fort and KÖNIG Galerie Berlin, Lon­don, Tokyo
© Tue Green­fort and KÖNIG Galerie Berlin, Lon­don, Tokyo

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From Wasteland to Neighborhood Local

The so-called Farm­House is con­sid­ered the heart of Par­ck­farm. The sec­ond-hand green­house was moved from the Nether­lands to Brus­sels. Today, it serves as a place for meet­ings, cook­ing, and eat­ing. One of the ini­tia­tors was the design office 1010 Archi­tec­ture Urban­ism, which man­aged the par­tic­i­pa­to­ry build­ing process in coop­er­a­tion with the JES and Yota! orga­ni­za­tions. © Rossel & Cie — Bruno D’Alimonte

In the north of Brus­sels, sur­round­ed by streets and yet almost hard to find, a small par­adise has emerged. In 2013, a diverse team put an idea into prac­tice: they com­bined the spe­cial and unique fea­tures of a park with urban agri­cul­ture and micro-farm­ing. Involved were local ini­tia­tives and groups that had been using the fringes of the fal­low land for some time for the col­lec­tive cul­ti­va­tion of fruit and veg­eta­bles, small ani­mal hus­bandry, and pigeon­ries. The result­ing location—Parckfarm—still brings the neigh­bor­hood togeth­er today. Dif­fer­ent actors orga­nize var­i­ous activ­i­ties, work­shops, gar­den­ing, and debates. How­ev­er, a land use plan for the area is now in place. Neigh­bor­hood asso­ci­a­tions and ini­tia­tives see access to and use of the park as threatened.


Project

Par­ck­farm


Actors

Par­ck­farm T&T asbl, asso­ci­a­tion and coor­di­na­tion; res­i­dents of the neigh­bor­hoods, ini­tia­tives and col­lab­o­ra­tion; Alive Archi­tec­ture and Tak­tyk, cocu­ra­tion; IBGE — Insti­tut Brux­el­lois pour la Ges­tion de l’Environnement, com­mis­sion and co Winancing


Year

Since 2014, open­ing at the Par­ck­de­sign Biennale


Loca­tion

Brus­sels, Belgium

Par­ck­farm was ini­tial­ly planned for only five months, but thanks to the ini­tia­tive of numer­ous res­i­dents and oth­er sup­port­ers, it still exists six years lat­er. © Par­ck­farm T&T
Peo­ple from the neigh­bor­hood come togeth­er on-site to grow fruit and veg­eta­bles. Bees, chick­ens, ducks, and sheep are also kept. © Par­ck­farm T&T
The col­or­ful bee-cars or bee-wag­ons, which can be pulled by a bicy­cle, were devel­oped by the Roy­al Bee­keep­ing Soci­ety of Brus­sels and Sur­round­ings (SRABE). Bee­keep­ers like Mok­tar pro­duce and sell their hon­ey here. Vis­i­tors can tour the bee colonies and learn more about the crit­i­cal role these insects play in our liv­ing envi­ron­ment. © Dieter Telemans

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