City in Transition

© Ste­fan Marx

The Wek­er­le estate in the south­east of Budapest has been part of the world­wide Tran­si­tion Town Net­work for sev­er­al years, which address­es the glob­al chal­lenges of the cli­mate emer­gency and devel­ops prac­tices for local pro­duc­tion as well as re-use. Alter­na­tive ener­gy con­cepts are devel­oped, food sov­er­eign­ty is cre­at­ed, sus­tain­able con­struc­tion and emis­sion-free mobil­i­ty are pro­mot­ed. In Wek­er­le, par­tic­u­lar empha­sis is placed on com­mu­ni­ty-sup­port­ed agri­cul­ture, organ­ic hor­ti­cul­ture is pro­mot­ed through cours­es, seeds of local veg­etable vari­eties are trad­ed on exchange plat­forms, and com­post is sys­tem­at­i­cal­ly col­lect­ed. The local gov­ern­ment has rec­og­nized this approach’s poten­tial and sup­ports it—despite some resistance—with mate­r­i­al and finan­cial resources. And so, a com­mu­ni­ty house has been built, a com­mu­ni­ty gar­den laid out, and the mar­ket place redesigned.


Project

Áta­lakuló Wekerle


Con­trib­u­tors

Áta­lakuló Wek­er­le szervezöi kör, munic­i­pal­i­ty, numer­ous local ini­tia­tives as well as the Hun­gar­i­an Tran­si­tion Town Ini­tia­tive and the inter­na­tion­al Tran­si­tion Towns Network


Year

Since 2009


Loca­tion

Budapest, Hun­gary

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From Locomotive Workshop to Library

© Sti­jn Bollaert

In 2009, the munic­i­pal­i­ty of Tilburg, togeth­er with two large real estate and con­struc­tion groups, acquired a mas­sive plot direct­ly behind the main rail­way sta­tion. The orig­i­nal plan was to demol­ish exist­ing build­ings, such as the for­mer loco­mo­tive hall, or LocHal for short, and to con­struct huge office and apart­ment com­plex­es. How­ev­er, the deci­sion was reversed. Instead of demo­li­tion, rede­vel­op­ment and con­ver­sions took root. And so, in 2019, the munic­i­pal library—which is much more than just a col­lec­tion of books—opened here. Its glass hall pro­tects an inner-city square with a café and open stair­case. There are also archives, offices, as well as event rooms and, on the perime­ters, work­shop areas and small meet­ing rooms. The many peo­ple who use the build­ing for a wide range of activ­i­ties make it clear that pub­lic space will con­tin­ue to play an essen­tial role in the future.


Project

LocHal


Actors

CIVIC Archi­tects, Braaks­ma & Roos archi­tecten­bu­reau, Inside Out­side / Petra Blaisse, Mecanoo, archi­tects; Gemeente Tilburg, De Bib­lio­theek Mid­den-Bra­bant, Kun­st­loc Bra­bant, commission


Year

Since 2019


Loca­tion

Tilburg Nether­lands

The for­mer work­shop where loco­mo­tives were assem­bled and main­tained. Archive image © Civic Architects
© Sti­jn Bollaert
© Sti­jn Bollaert
Aer­i­al pic­ture of the rail­road area in the Dutch city of Tilburg. © Karel Tomei

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Tracing Colonial Histories

© The Black Archives

For about five years, an archive has exist­ed in Ams­ter­dam, reveal­ing that which is buried and rarely told. It makes vis­i­ble (again) erad­i­cat­ed and sup­pressed voic­es, his­to­ries, and sto­ries. Build­ing on the lega­cy of the Suri­nam-born and lat­er Ams­ter­dam-based social sci­en­tist Wal­do Heil­bron, a cen­ter for (post)colonial his­to­ry was estab­lished. From this base, hege­mon­ic and Euro-cen­tric his­to­ri­og­ra­phy is expand­ed upon with oth­er aspects, data, and facts that paint a more dif­fer­en­ti­at­ed and mul­ti-per­spec­ti­val image of glob­al devel­op­ments over the last 400 years. As a place for col­lect­ing, research­ing, medi­at­ing, and pro­duc­ing knowl­edge, The Black Archives demon­strates how his­to­ry can be ori­ent­ed dif­fer­ent­ly and, step by step, sup­ple­ment­ed and expand­ed with exact­ly those miss­ing and sup­pressed voices.


Project

The Black Archives


Actors

Jes­si­ca de Abreu, Mitchell Esa­jas, Miguel Heil­bron, Thiemo Heilbron


Year

Since 2015


Loca­tion

Ams­ter­dam, Netherlands

© Mar­i­on Visser
© The Black Archives

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Financing the Cooperative City

»Rotaprint archi­tec­tur­al mon­u­ment. There is no prof­it to be made here«—so a ban­ner of the ExRo­taprint ini­tia­tive from 2007. The rea­son: a fight of the non-prof­it GmbH ExRo­taprint for the rights of use of land and build­ings that has been going on for years, repeat­ed­ly bro­ken promis­es and dubi­ous nego­ti­a­tions between the own­er of the land—the Liegen­schafts­fond Berlin—and inter­na­tion­al real estate com­pa­nies despite already promised and almost com­plet­ed han­dover. After long nego­ti­a­tions and mas­sive resis­tance the vic­to­ry comes for the gGmbH. With the help of Stiftung trias and Stiftung Edith Mary­on, the site is pur­chased in late sum­mer 2007 and a 99-year ground lease agree­ment is signed with ExRo­taprint gGmbH. This makes the gGmbH the own­er of the build­ings and sole­ly respon­si­ble for the project devel­op­ment. The pos­si­ble spec­u­la­tive spi­ral has been inter­rupt­ed. Since then, the entire com­plex has been man­aged and run accord­ing to non-prof­it prin­ci­ples with the aim of secur­ing het­ero­ge­neous uses and afford­able rents in the long term. The project is described as a “social sculp­ture”, which is at the same time firm­ly anchored in the neigh­bor­hood and active­ly engaged in urban the­o­ry dis­course in order to con­tin­u­ous­ly expand the basis of its work. © Mar­tin Eberle

The book and action research project Fund­ing the Coop­er­a­tive City. Com­mu­ni­ty Finance and the Econ­o­my of Civic Spaces describes numer­ous case stud­ies from across Europe, which tell of how local com­mu­ni­ty finance can be set up. A wide vari­ety of groups that have devel­oped new mod­els for devel­op­ing and oper­at­ing non-com­mer­cial spaces for their neigh­bor­hoods are pre­sent­ed and dis­cussed. None of this is easy, as many inter­views and dis­cus­sion notes reveal. But it is pos­si­ble: through the for­ma­tion of sol­i­dar­i­ty net­works, neigh­bor­ly com­mit­ment, a will­ing­ness to exper­i­ment, and admin­is­tra­tive and often finan­cial sup­port from the respec­tive communities.


Project

Open Her­itage


Actors

Lev­ente Polyák, Daniela Pat­ti, founders, Eutropi­an GmbH; Yil­maz Vuru­cu, Baha­nur Nasya, Xsen­trikarts, Eutropi­an; Andrea Giu­liano, Jorge Mos­quera, Sophie Bod, Ste­fano Pat­ti, Eleono­ra Rugiero, Julia Baudi­er, Eutropi­an team


Year

Since 2018


Loca­tions

Var­i­ous

Färgfab­riken is an exhi­bi­tion space for art, archi­tec­ture and urban plan­ning in Stock­holm, which has exist­ed since 1995 and is the result of a col­lab­o­ra­tion between the Asso­ci­a­tion of Swedish Archi­tects (Sven­s­ka Arkitek­ters Riks­för­bund), Alcro-Beck­ers, ColArt and a group of artists and inde­pen­dent archi­tects. © Yil­maz Vuru­cu, xsentrikarts
Casci­na Roc­cafran­ca, Turin. The for­mer farm was pur­chased with the help of Euro­pean funds and trans­formed into a mul­ti­func­tion­al com­mu­ni­ty cen­ter, man­aged by both pub­lic and civ­il soci­ety actors. What makes this insti­tu­tion spe­cial is the close col­lab­o­ra­tion that has devel­oped between the munic­i­pal­i­ty of Turin and mem­bers of the non-prof­it asso­ci­a­tions and groups rep­re­sent­ed in Casci­na. © Casci­na Roccafranca
Stará Tržni­ca, Bratisla­va. The Old Mar­ket Hall in the cen­ter of Bratisla­va had stood emp­ty for years. This changed in 2013, when a non-prof­it civ­il soci­ety asso­ci­a­tion took over the build­ing from the munic­i­pal­i­ty. Togeth­er with exter­nal experts, a mul­ti-func­tion­al pro­gram was devel­oped for the hall. Today, in addi­tion to a week­ly mar­ket, cul­tur­al events, con­certs and oth­er events are also held here, where­by the prof­its do not go into the pock­ets of the oper­a­tors, but into the ren­o­va­tion and preser­va­tion of the build­ing. © Boris Nemeth
ExRo­taprint © Eutropian

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A Quarter Taking Matters Into Its Own Hands

From 1969 to 1971 the pho­tog­ra­ph­er Nick Hedges doc­u­ment­ed life in Liv­er­pool. Nick was com­mis­sioned by the char­i­ty Shel­ter to trav­el through Eng­land and Scot­land and por­tray the lives of fam­i­lies liv­ing in slums and mis­ery. Here you can see young res­i­dents of Liv­er­pool walk­ing past an elec­tion poster in Gran­by Street. © Nick Hedges

In the 1980s, Tox­teth is the set­ting for vio­lent class strug­gles. Peo­ple move to oth­er parts of Liv­er­pool; many of the Vic­to­ri­an row hous­es fall into dis­re­pair. As a result, a group becomes active in the neigh­bor­hood. They clean up, plant flower beds, paint win­dows, and estab­lish a mar­ket. A Com­mu­ni­ty Land Trust is set up. The aim: to cre­ate afford­able hous­ing that is owned by the peo­ple from the neigh­bor­hood. The group con­vinces the munic­i­pal­i­ty not to demol­ish the hous­es. Lat­er, the archi­tec­ture col­lec­tive Assem­ble comes on board and devel­ops a plan for the area. Although the work is still unfin­ished and many hous­es are still in need of fur­ther atten­tion, the people’s goal of tak­ing the future of their area into their own hands has been achieved for the time being.


Project

Gran­by Four Streets Redevelopment


Actors

Gran­by Four Streets CLT; Steve Biko Hous­ing Asso­ci­a­tion, sup­port­ing body; Ann O’Byrne, sup­port­er, for­mer Liv­er­pool City Coun­cil Deputy May­or and Cab­i­net Mem­ber for Hous­ing; Assem­ble, archi­tec­ture office


Year

Since 2011


Loca­tion

Liv­er­pool, Great Britain 

Assem­ble worked with the Gran­by Four Streets Com­mu­ni­ty Land Trust (CLT) to ren­o­vate 10 ruinous town hous­es on Cairns St. in Tox­teth. © Lewis Jones
© Lewis Jones
With the demo­li­tion of all but four of Granby’s streets, a once thriv­ing com­mu­ni­ty was dis­persed and the remain­ing Gran­by Four Streets were sparse­ly pop­u­lat­ed. Aer­i­al view of the demo­li­tion area of Gran­by Four Streets. Archive image © Assemble
The first Gran­by Work­shop prod­uct line was designed for homes in need of ren­o­va­tion and includ­ed bath­room tiles, door han­dles and fire­places. On dis­play here is a col­lec­tion of hand­made ceram­ic bot­tles, cups and glass­es for every­day use, based on local mate­ri­als. The com­pa­ny con­tin­ues to have a strong com­mu­ni­ty focus—operating from its premis­es on Gran­by Street, par­tic­i­pat­ing in the month­ly com­mu­ni­ty mar­ket and con­tin­u­ing to con­tribute to the ongo­ing local ren­o­va­tions. © Lewis Jones

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Transformation Instead of Demolition and Construction

© Philippe Ruault

All over the world, large hous­ing estates like Cité du Parc rise upwards out of spa­cious park land­scapes. They are often con­sid­ered »social hotspots.« As is the case here. In the ear­ly 2000s, the French state decid­ed to rethink the future of such hous­ing estates. This is where the archi­tec­ture firm Laca­ton & Vas­sal with Druot comes in. The team had been work­ing on this ques­tion for some time: How can spa­tial trans­for­ma­tions be planned and imple­ment­ed so that they do not lead to occu­pant dis­place­ment? The office’s work illus­trates that alter­na­tives to demo­li­tion and new con­struc­tion do exist. And they define new qual­i­ties in build­ings, which many believe can­not be improved.


Project

Trans­for­ma­tion de 530 Loge­ments et création de 8 loge­ments en toitures—Grand Parc Bordeaux


Con­trib­u­tors

Laca­ton & Vas­sal Archi­tects, Frédéric Druot Archi­tec­ture, Christophe Hutin Archi­tec­ture, archi­tec­ture ofWices; Bernard Blanc, for­mer Gen­er­al Direc­tor Aqui­ta­nis; Alain Jup­pé, for­mer O.P.H. de la com­mu­nauté Urbaine de May­or of Bor­deaux; Aqui­ta­nis O. P.H. de la com­mu­nauté Urbaine de Bor­deaux, commission


Year

2011—2016


Loca­tion

Bor­deaux, France

The hous­es of the Cité after the recon­struc­tion mea­sures. 2,300 of 4,000 apart­ments were ren­o­vat­ed between 2012 and 2017. But Aqui­ta­nis also car­ried out sim­i­lar mea­sures in oth­er large hous­ing estates in Bor­deaux, test­ing a dif­fer­ent approach to exist­ing build­ings instead of demo­li­tion and new con­struc­tion as part of the Généra­tions d’Habi­tat Inno­vant (GHI) pro­gram. © Philippe Ruault
© Philippe Ruault
Aqui­ta­nis, the social hous­ing asso­ci­a­tion of the Bor­deaux Métro­pole local author­i­ty, is the own­er of the build­ings. The company’s for­mer gen­er­al man­ag­er, Bernard Blanc, was able to pre­vent the demo­li­tion, among oth­er things by argu­ing that the Cité du Grand Parc has been part of the UNESCO World Her­itage Site of Bor­deaux since 2007. Fol­low­ing an archi­tec­tur­al com­pe­ti­tion, the deci­sion to retain the build­ings will mark the start of the ren­o­va­tion work in 2011. The con­struc­tion task com­pris­es the trans­for­ma­tion of a total of three disc-like res­i­den­tial build­ings: Blocks H and I, each 150 meters long and 45 meters high, and Block G, which is 60 meters long but only 31 meters high. © Philippe Ruault
© Philippe Ruault
In the first phase of the recon­struc­tion, the lat­er con­ser­va­to­ries and bal­conies, which were deliv­ered by usu­al trucks, were placed in front of the exist­ing facade. Only then did the adap­ta­tion of the exist­ing shell of the build­ings con­tin­ue: the old win­dows were dis­man­tled and new open­ings were cut into the facades. The quick assem­bly, made pos­si­ble by the high degree of use of pre­fab­ri­cat­ed ele­ments, helped to ensure that the occu­pants did not have to move out dur­ing the recon­struc­tion work. © Philippe Ruault

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