The End­boss dou­ble-deck­er bus becomes a mobile edi­to­r­i­al office that, over three days, will be ded­i­cat­ed to find­ing ques­tions to answers that nobody has asked and bring­ing move­ment first to the edi­to­r­i­al office and from there to the paper and ulti­mate­ly to the people’s minds. Dur­ing a com­bi­na­tion of a writ­ing work­shop and city tour, on-the-spot con­tent is devel­oped and nec­es­sary research trips through the city are under­tak­en, which are then joint­ly edit­ed and become a mag­a­zine direct­ly on site—in the bus—with a riso­graph. As in the exhi­bi­tion itself, which is always a point of return for the rolling edi­to­r­i­al team, the magazine’s con­tent revolves around »cities, peo­ple and sto­ries.« Instead of a rigid edi­to­r­i­al con­cept, how­ev­er, the con­tent is devel­oped on the go—literally on the road—creating new spaces and clos­ing gaps (in think­ing). Var­i­ous research, writ­ing, and doc­u­men­ta­tion tech­niques will be used. In this way, the process of writ­ing becomes a mobile space for nego­ti­at­ing urban prob­lems, and the mag­a­zine becomes a snap­shot of ques­tions that arise when one changes their direc­tion of travel. 

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